VideoNuze Posts

Wurl posted record results in 2020, powering free streaming linear TV channels to a variety of popular connected TVs (what Wurl calls its “Wurl Network”). Wurl launched 539 channels in 2020, including 220 in Q4 alone. It now delivers over 700 channels from approximately 150 different content producers and TV networks.

Wurl’s channel model demonstrates that despite all of the attention paid to SVOD viewership (e.g. Netflix, Amazon, Disney+, etc.), consumption isn’t monolithic; in fact viewers often still crave free, lean-back, programmed TV experiences where they can press play once and then sit back and enjoy. Industry analysts have sometimes called these channels “virtual linear” or “free ad-supported TV” (FAST).

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Welcome to the 548th edition of the VideoNuze podcast, with my weekly partner Colin Dixon of nScreenMedia.

Disney turned in yet another strong quarter of direct-to-consumer streaming growth, with 146.4 million subscribers at the end of its fiscal Q1. Disney+ added 21.2 million to reach 94.9 million subscribers. The only hiccup was that Hulu with Live TV dropped by 100K to 4 million subscribers. Colin and I dig into the numbers to better understand the trends revealed in the quarter.

Then we shift to discussing this past Sunday’s Super Bowl TV ratings which were down and streaming viewers which were up. We discuss what drove each - and add a little commentary about our favorite ads.


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Tubi is adding 80 live local 24 hour news feeds from station groups Cox Media Group, Hearst Television, Scripps and TEGNA to its “News on Tubi” collection in the U.S. When combined with the 17 FOX TV station feeds and Altice USA’s News 12 New York, Tubi will have nearly 100 local news feeds across 58 Designated Market Areas and 24 of the top 25 DMAs when fully rolled out during 2021. Tubi believes this is the most comprehensive local news reach for any AVOD service.

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Last week Alphabet reported that YouTube's global ad revenues hit a record $6.9 billion in Q4 '20, up 47% from Q4 '19. For perspective on YouTube's and the market's growth, I interviewed Brian Atwood, who was just appointed Pixability's new Chief Revenue Officer. If you're not familiar with Pixability, it provides software and insights for video ad buyers to target and optimize their campaigns on YouTube, YouTube on connected TVs, Amazon Fire and Roku. It also just had a record year of growth and profitability.

VideoNuze: Congratulations on joining Pixability. What excited you about the company?

Brian Atwood: I’ve been working in the YouTube and Connected TV space for over four years now and I have always been impressed with Pixability’s unique targeting solutions, performance optimization and insights. I feel like there is no company better positioned to help brands and agencies navigate the big shifts we’re seeing in the market. More than anything, I’m looking forward to working with the people. They’ve assembled an outstanding team that is incredibly well respected in the industry.

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The average minute audience for Super Bowl LV was a record 5.7 million viewers across all digital platforms according to data released by CBS Sports. This year’s streaming viewership was up approximately 67% from last year’s 3.4 million when the game was broadcast on Fox. It’s also over double the 2.6 million streaming viewers for the game two years ago, the last time it was broadcast by CBS.

CBS Sports also said that viewers consumed over one billion streaming minutes, a first for Super Bowl viewing. CBS All Access also enjoyed a record day for new subscribers, unique devices, streams and time spent viewing. The game featured lots of clever ads for Paramount+, which launches on March 4th and will fold in CBS All Access.

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Last Friday’s announcement that Magnite is acquiring SpotX from RTL Group for almost $1.2 billion was further evidence of connected TV advertising’s momentum and the combined company’s market opportunity. Considering Magnite’s pro forma financial results with eMarketer’s forecast of CTV ad revenue shows how much potential growth lies ahead for the combined company.

In its release, Magnite said the combined company would have $42 million of pro forma CTV ad revenue ($15.3 million from Magnite and around $27 million from SpotX) in Q4 ’20. Magnite also said the $42 million would have represented around 34% of Q4’s revenue for the combined company. It further said the combined company would have had pro forma revenue for 2020 of $350 million, so applying the same 34% proportion, the combined company would have had approximately $119 million in CTV revenue in 2020.

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Welcome to the 547th edition of the VideoNuze podcast, with my weekly partner Colin Dixon of nScreenMedia.

A couple of weeks ago on our podcast, Colin and I discussed how both AVOD and SVOD services keep growing strongly. This week we explore two specific examples. In AVOD, YouTube’s ad revenue hit $6.9 billion in Q4 ’20, up 46% and for the full year ad revenue hit $19.8 billion, up 31% from 2019.

Meanwhile Crunchyroll, the anime OTT service, announced it’s up to 4 million subscribers, adding a million in the past 6 months, a record growth rate. Like many other streaming services, Crunchyroll appears to be benefiting from Covid. Colin and I explore what’s behind both companies’ success and where things go from here.

Listen in to learn more!

Click here to listen to the podcast (21 minutes, 29 seconds)

Explore all previous podcasts

Add the podcast feed to your RSS reader.

The VideoNuze podcast is also available in Apple podcasts, subscribe today!