VideoNuze Posts

  • Paltalk Releases Beta of “Screening Rooms”

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    Paltalk, a company I've written about previously, has released the beta version of a new service it has dubbed "Screening Rooms." Yesterday I got a demo of the service and a briefing with Joel Smernoff, President and COO. After you've registered at Paltalk, you navigate your way (not entirely straightforward, but this is by design for now to suppress demand during beta) to "Finding a Room", and then selecting a "Screening Room." Currently there's a choice of rooms with video from blip.tv, Heavy.com, IFL, Mania TV and Paltalk video.
     
    Upon entering a room you're basically in a public IM session with a video window playing. The experience is part of what Paltalk calls "socialcasting", whereby users are able to interact while watching the video. So it sort of emulates watching TV together - collectively chuckling, groaning and critiquing what's on. Basically allowing online engagement to occur around broadband-delivered video.
     
    Though it's still early, I think Paltalk's socialcasting theme is very aligned with a concept I've had in mind for some time --- that broadband video is more than just another pathway to bring video into the home, rather it's an entirely new medium to create new consumer experiences. Paltalk's sees it this way too. Their strategy for Screening Rooms is meant to experiment with lots of different types of content. So they're partnering with folks like blip and Heavy, creating their own live events with comedians such as Ray Ellin and possibly developing new shows in hot categories such as travel, cooking, martial arts, etc. Then of course there are the UGC opportunities - uploading your own home movies and inviting friends into a private room for you to narrate.
     
    According to Joel, the secret sauce here is really around scalability --- being able to support thousands of participants per room with thousands of rooms running. With 4M active users, Paltalk should have the chops to handle this, but they're taking a go-slow approach for now to make sure there are no big surprises.
     
  • Charter Redesigns Portal, Emphasizes Video

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    Tomorrow morning Charter Communications will announce a redesigned version of Charter.net, the company's portal for its broadband Internet subscribers. I got a sneak preview of the press release and the new site along with a briefing with Himesh Bhise, VP &GM of High-Speed Internet for Charter, who oversees the portal.

    According to Himesh, this redesign is the first key milestone for three main themes the company is pursuing for its portal: improved functionality and feature accessibility on its home page, increased video availability and more extensive TV listings.

    I'm impressed with the direction Charter's taking. Charter's goals of enhancing the value of its bundle of video and online services is right on the money. I've said for a while that cable operators are potentially going to be the biggest beneficiaries of broadband video because they already have longstanding relationships with cable TV networks and video consumers, plus a huge base of broadband subscribers (Charter has over 2.5 million).

    Charter's in synch with this thinking. They've done deals with a range of partners from biggies like Nickelodeon, HBO and FX to smaller ones like IFC, ResearchChannel.org and HAVOC. Charter's bringing selected video clips into its portal and will also offer some exclusive premieres of certain programming. Other cable operators like Comcast, Time Warner and Cablevision are already down this road with similar activities. Charter's initiatives add further momentum to this trend.

    While I'm a fan of these moves, I would love to see the cable guys step up their broadband video activities even further. For example, Himesh and I engaged in an interested mini-debate about the definition and value of "exclusive" broadband programming. To me there's an terrific opportunity for cable operators to negotiate and obtain the broadband rights, at least for a defined window, for certain programs exclusively for their Internet subscribers. This would mean their subscribers get video they just can't get elsewhere. (Btw, that's kind of the way the cable TV world used to work until Congress stepped in with the "program access rules" in the '92 Cable Act).

    Some kind of exclusive broadband programming would differentiate cable's portals from the Joosts and other next-gen broadband aggregators coming into the market. I think it's inevitable we're going to see some jousting for these kinds of rights, especially as things get more competitive.

     
  • Navy JAG Corps Uses Video to Snag New Recruits

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    I’m always on the lookout for innovating uses of broadband video and examples of organizations new to the video world.

    So when Peter Marx, an acquaintance of mine forwarded me the following link, I was very intrigued:

    http://www.jag.navy.mil/Multimedia/JAGMultimedia.html

    Turns out the Navy JAG corps (basically the Navy’s in-house legal team) believes that video can tell a far more compelling story to potential recruits than simple text and graphics. After reviewing the video, I’d certainly agree. If I were a recent grad looking for some adventure beyond sitting in a window-less associate’s cubicle, the JAG opportunity looks pretty enticing!

    Peter gave me a few further details. The JAG corps plans to use the video as a centerpiece of their recruiting efforts. It’ll be on their web site, in PowerPoint presentations, linked in emails, etc. It’s only been up for 2 weeks, but is already getting a very positive reaction. He expects they’ll do more videos now that they see how well this one's worked out.
     

    I think they’re on the right track. Younger people (certainly the age of their target recruits) are being fed a YouTube diet – video is the quickest way to appeal to them. My only suggestions to Peter were that the video have embed code, so guys like me, and others, can put the player right on my page, instead of using a link. And, half-jokingly, that the video should really include scenes of JAGs in the brig working with their clients…nothing like seeing your clients, in situ, to put a fine point on what JAGs get into!
     

    Btw, to see more of Peter's fine work, check out:

    http://www.legalinsight.com/

     
  • New iSuppli Report on Broadband TV is Relevant for Apple TV and Others

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    A new report out by iSuppli, written up in EETimes, caught my attention yesterday. I haven't read the report, but the highlights are that an iSuppli survey showed that "61% of respondents agreed or strongly agreed that they wanted the ability to network the Internet to their televisions, while 71% of male respondents agreed or strongly agreed. How is this relevant to Apple TV?
     
    Last December, in my "7 Trends for '07" newsletter, I argued that Apple TV would only succeed if Apple adopted an "open" content model. In fact I suggested that Apple TV's key value proposition would be allowing users to access web-based content easily and quickly. Unfortunately Apple chose the opposite approach and made Apple TV essentially an extender of the closed, "walled-garden" iTunes. More recently it has opened open slightly, incorporating YouTube videos.
     
    I continue to believe that Apple TV would rule if the product gave users what the iSuppli report underlines - i.e. a way to see their favorite broadband video right on their TVs. This is a problem begging to be solved. Untangling the UI, hardware and software issues is what Apple excels at. I really hope they see the light on this soon. It would help convert Apple TV from a "hobby" as Steve Jobs recently put it, to a product with real potential. If Apple doesn't do this soon, someone else will.
     
  • Salma Hayek Goes Broadband for Campari

     
    If you haven’t headed over to http://www.campariusa.com/, it’s well worth a trip to get a glimpse of how some savvy ad folks are leveraging broadband video.

    Here’s how this hit my radar: I was flipping the pages of the most recent New Yorker magazine. I noticed a full page picture of Salma, suggesting the reader visit http://www.campariusa.com/. Upon arrival and submitting my birth date, a 30 second video spot of Salma plays, with her sashaying down a corridor being proffered jewels and other enticements, until finally following an glittering tray of Campari on the rocks. After the video ends, there's all kinds of other stuff happening afterwards, with very heavy Flash emphasis.

    What I found cool about all this is that an ad in a magazine got me to go online to see a video, which in turn prompted me to further engage with the site, learn about the company, get cocktail recipes, etc. A very multi-platform and multimedia approach, which is all part of the company's "Hotel Campari" campaign.

    With TV networks still banning liquor ads, broadband presents a unique opportunity to reach target audiences above the legal age (of course, how that's verified is very sketchy to me....)

    Nonetheless, with the sizzling Salma Hayek out front, the Campari campaign is sure to generate plenty of awareness and no doubt become a well-watched model for others looking to exploit broadband video campaigns in a more immersive way than pre-rolls allow.

     
  • AOL Video To Get a Refresh

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    Video continues to be a big focus for AOL. On Monday it will announce an update to its AOL Video portal (soft launch now available here)

    According to AOL, the main benefits are:

    • A redesigned main page that makes it easier for consumers to discover, search for and find millions of videos from across the Web;
    • A redesigned video search experience that leverages industry-leading TruveoTM video search technology and features better presentation of Web search results to help users more easily find what they are looking for and;
    • A new embedded playback experience where consumers can find and watch videos from other popular video sites on the AOL Video site.

    I continue to find Truveo to be a real differentiator for AOL (recall that AOL acquired Truveo back in January, 2006). The quality of the search results is consistently better than anyone else's. Just try running a "Tiger Woods" video search on all the different services. Truveo also helps AOL maintain a hybrid "open/closed" approach (my term) - with AOL simultaneously offering access to video anywhere on the web while also operating a walled garden of video supplied by numerous partners.

    AOL noted that over the past nine months, skyrocketing consumer demand for online video has propelled the number of unique visitors on AOL Video to grow by 300% to eight million uniques per month.

    I have no idea how that traffic divides up, but my guess is that a lot of those uniques are coming to AOL Video to run video searches. AOL pops a new browser window for video found at other places so it doesn't entirely lose the visitor.

    In my firm's recent report on broadband video aggregators, AOL was among the 12 companies we identified as most likely to emerge as successes. I continue to like how they're blending web content with in-network content, branded with UGC, search with browse, free with paid and streaming with download. I think of Yahoo and MSN as their two closest portal competitors. While MSN is doing a respectable job, AOL is well out in front of Yahoo from a user experience standpoint. With the recent shakeup at Yahoo, I expect them to better capitalize on their considerable potential.

     
  • Broadband Video Contextual Ad Space Heats Up, Digitalsmiths Lands Series A Round of $6M

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    Tomorrow Digitalsmiths, an entrant in the budding broadband video contextual advertising space, will announce a $6M Series A round from The Aurora Funds, Chrysalis Ventures and individual investors. I got a briefing from Digitalsmiths's CEO Ben Weinberger and CTO Matt Berry along with the new investors. The company's new Videosense product builds off of their existing automated video indexing and search product known as InScene which Hollywood studios have been using for years to index and search stock footage.
     
    Videosense introduces a contextual ad matching process that matches ads to the content of videos based on an index of metadata that was extracted from the audio track and visual cues (scenery, characters, props, etc.). This matching and metadata gathering process is the company's secret sauce. As with all contextual approaches, the intention is to insert the appropriate ad at just the right moment. So say, for example, you're watching ‘24' online, when Jack Bauer pulls out his smartphone, a discreet ad for Treo pops up. The company can support all types of ads (video, text, banners, etc.) Digitalsmiths can do this across multiple video formats (Flash, WMV, Real, etc.) and plans to serve multiple devices as well.
     
    While they haven't announced any customers yet, Weinberger said they're in multiple live customer trials and should be announcing something soon. There's been lots of energy and top tier VC funding in the contextual video ad serving space recently. Other companies that we're aware of in this space include ScanScout, YuMe, Adap.TV, and Gotuit (which has been more focused on indexing than ads), along with blinkx, which just announced its "AdHoc" product today.
     
    Over the past year, vendors' efforts to improve upon today's vibrant, yet much maligned, pre-roll format have intensified. There are many different initiatives out there, such as new formats, interactivity, targeting, etc. Improvements in contextual targeting are part of this mix of innovation. All this activity isn't surprising as broadband video content providers have embraced advertising as their business model of choice.
     
    Since pre-rolls are still the lifeblood of the broadband video industry and will be for a while, smart vendors will seek to build on its momentum, while gracefully introducing new formats. And since much of the pre-roll delivery infrastructure is now in place, it's also essential for the new crop of contextual vendors to integrate seamlessly with existing ad networks. Digitalsmiths seems to be adhering to this game plan, and so their development is worth keeping an eye on.
     
  • Telcos Embrace Video at NXTcomm

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    I made a quick trip to NXTcomm earlier this week to moderate a panel, have some meetings and walk the show floor. For those of you not familiar, NXTcomm is the joint event of the Telecommunications Industry Association (the association for telecom technology vendors) and the U.S. Telecom Association (the association of telecom service providers). This show, which drew about 20,000 people, grew out of Supercomm and GlobalComm conferences, is now the telco industry's main confab.

    What struck me the most was how much the show focused on video and entertainment. I was at Supercomm years ago and remember it being a bunch of telco engineers inspecting the latest gear for routing phone calls. No more. As new NXTcomm executive director Wayne Crawford explained in an interview with Telephony magazine, "NXTcomm has a much broader conference program in terms of different types of technologies represented a and much more of its emphasis is placed on technology as it relates to the entertainment industry.

    Boy, was this emphasis was evident on the show floor. All the big vendors, Microsoft, Intel, NEC, Nortel, Tandberg and others had major booth visibility around video. The telco industry is coming after the IPTV and broadband markets hard, and all of these vendors are providing the enabling gear. Having attended the Cable Show last month, NXTcomm doesn't yet have the glitzy booths of a Viacom or NBCU, but it wouldn't surprise me if they did by next year or the year after. Video is a major priority of the telco industry. Very exciting to see.