Posts for 'Technology'

At the NABShow last week, I interviewed RAMP's CEO Tom Wilde about why closed captioning is coming to online video as a result of the Twenty-First Century Communications and Video Accessibility Act from 2010. The Act specifies that any video broadcast on-air after April 30th must have closed captioning by September 30th if it's placed on the web.

Tom explains that given broadcasters' existing analog and digital work flows, creating closed captions for the web creates huge challenges, which RAMP's Media Cloud addresses. The good news is that research shows that closed captions give viewers more control and therefore are also more engaged, driving a higher ROI.

See video below (5 minutes, 19 seconds)

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Innovid, which enables online video advertisers and publishers to add interactive elements such as Facebook, YouTube, Twitter and sharing to their campaigns, is announcing that VAST and VPAID ad tags will now be auto-created within its iRoll Studio.

The enhancement eliminates the work flow process step of advertisers and publishers needing to submit their ads back to Innovid for tags to be created before campaigns can be trafficked out. This in turn reduces cost and resources to turn typical pre-roll ads into an iRoll ad.

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Today, I'm pleased to share a guest post from Alan Wolk, Global Lead Analyst at KIT Digital. As Alan points out, the Xbox Kinect technology has helped open up a new world of possibilities for navigating video content on TVs (I was recently in KIT's offices and played with their Kinect Sky TV app, which I thought was amazing). Beyond Kinect however, further technology improvements are coming, all of which means the remote control is poised to move far beyond its humble roots. Read on to learn more.

Building the Next Remote Control: Kinect is Just the First Step

by Alan Wolk

In the pre-cable TV world, the remote control was a truly amazing device. It allowed viewers to raise and lower the volume without getting out of their chair, while jumping seamlessly between the handful of channels that were available.

The advent of cable TV made the remote a little more complicated: with 20 or 30 channels in the line-up, the remote now needed a keypad to enter the actual channel number. The more channels cable systems added, the more critical the remote became. But around the time we moved from dozens of channels to hundreds of them, it become evident that a better system was needed: scrolling through so many channels ten at a time was not particularly time efficient, especially since viewers knew the names of channels they wanted to watch, not their constantly shifting numbers.

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Here's a great example of how online video advertising is opening up a new world of opportunities for savvy marketers: office supply giant Office Depot is dynamically creating customized video ads that are retargeted to visitors of OfficeDepot.com for specific products they browsed or purchased. Office Depot is leveraging SundaySky's "SmartVideo" and other technologies in order to re-engage visitors and drive new purchasing. Office Depot's Nicole Fraley explains how this works in the video interview embedded below, and SundaySky's president and CRO Jim Dicso recently provided me with some additional details.

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With the world awash in video, opportunities continue to emerge for publications to intelligently curate the best from around the web in order to add value to their audiences. The latest example is The Clinical Advisor, a 125,000-subscriber publication targeted to nurse practitioners and physician assistants, owned by the British giant, Haymarket Media.

At its site ClinicalAdvisor.com, a new video section, curated with Magnify.net's tools, presents both its own videos, as well as specialized videos from YouTube and elsewhere. Videos are grouped by category such as Dermatology, Geriatrics, Men's Health, etc. Within each category are news videos, expert interviews and recently posted videos. In addition, there's also a pitch to users to submit their own videos for inclusion in an "Editor's Picks" area.

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TV Everywhere (TVE) should not be a way for pay-TV operators solely to deliver existing content to connected devices, but rather a whole new paradigm for offering subscribers targeted packages of custom content to drive new value and potentially incremental revenue. That's the message video management provider thePlatform is conveying this morning with updates to its mpx system. Though many operators are still early in their TVE rollouts, thePlatform is providing a tantalizing longer-term vision of how they can use TVE to greatly expand their video services in the broadband era, far beyond the traditional one-size-fits-all multichannel bundle.

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London-based Videoplaza has rolled out "Karbon," its new flagship ad management platform, to serve ads to all imaginable connected and mobile devices. Katy Turner, Videoplaza's VP of Marketing, told me that Karbon is the direct result of broadcast and publishing customers demanding simplified ways of monetizing content on the variety of devices now being used.

Karbon includes The Device Library, with profiles of over 7,000 different devices' supported codecs, bit rates and resolutions and The Asset Factory, which transcodes ads for the requisite devices and delivers them appropriately. The idea is that an ad can be uploaded to Karbon once with target devices selected. The ads are transcoded so that when an ad call is made the device is detected, its profile understood, and the proper ad delivered - all in real-time.

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Mediamorph, a cloud-based service which tracks and measures all digital assets across all digital platforms, has raised an additional $8 million, from Smedvig Capital and Motorola Mobility. Co-founder and Chairman Shahid Khan told me that the funding will be used primarily to expand into Europe and to strengthen its range of service offerings. Total funding raised to date is $11 million.

Mediamorph addresses a key pain point for content providers: as digital distribution platforms multiply, there is massive complexity in cohesively tracking and measuring viewership by platform and then determining the compensation due per contractual terms. Shahid said the company now has relationships with 350 different distributors from which it receives usage data on behalf of content provider clients such as Sony Pictures, Warner Bros., Lionsgate, HBO, Starz and others. Mediamorph accepts either structured or unstructured data, crunches it, and then provides a cloud-based, customizable dashboard so that clients can see exactly how their assets are performing either as a whole, or with specific outlets like iTunes, Hulu, Netflix, etc.

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Adobe is raising the curtain on Project "Primetime" this morning, an integrated video platform positioned to be a single workflow for premium video providers deploying across multiple devices. Primetime combines Adobe's traditional streaming and publishing technologies with video ad management from Auditiude (acquired last November) and analytics/optimization from Omniture (acquired in Oct. '09). Primetime will rollout throughout 2012, but today Adobe is making available the first piece - "Primetime Highlights," a web-based video clip editor integrated with Auditude so that media companies can quickly create and publish ad-supported clips from live events.

As Ashley Still, Adobe's director of product management, video solutions, explained to me last week, Primetime's key goal is to enable premium video providers to deliver the highest-quality "TV-like" experiences with seamless, dynamic ad insertion into linear/live/on-demand streams on any connected device. Adobe believes that today's content and ad delivery model, which often requires multiple workflows and products to interoperate, will not allow premium online and mobile video to effectively scale and monetize.

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Visible Measures is announcing this morning that the Media Rating Council (MRC), which certifies media measurement services, has accredited a number of the company's metrics, including its "TrueReach Views," a metric that spans paid, owned and earned media. Brian Shin, Visible Measures' founder and CEO, told me last week that it's the first time a metric has been accredited that covers all of the ways a brand's video campaign can now be propagated online.

Brian noted that the accreditation is also unusual for the MRC because it typically audits metrics that are tied to conventional ad serving. Conversely, in the case of TrueReach, MRC took account of social activity for the first time, requiring it to verify that Visible Measures' technology and methodologies accurately reflected viral distribution properly. Brian said that MRC did sample testing and vetted its documentation as part of the accreditation process.

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Technology provider RAMP is announcing this morning that ABCNews.com and CNBC.com are now using its web closed captioning solution, and that it has made a number of enhancements in order to better meet the needs of customers. For those not familiar with web closed captioning, the 21st Century Communications and Video Accessibility Act signed in Oct. 2010 mandates that by the end of 2012, all video originally aired on broadcast or cable TV networks, which is then delivered online, must include closed captions.

As RAMP's CEO Tom Wilde explained to me last week, the act has created huge new challenges for TV networks because when captioned on-air video is passed from the broadcast team to the digital team for online delivery, there's no adequate workflow to keep the caption file in synch with the video. The situation becomes even more complicated when a full-length video is sliced up into shorter online-only clips.

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There's little subtlety in Adap.tv's current placeholder web site that asks the question, "What does it take to destroy the inefficiencies in TV and video advertising?" Unlike other online video ad technology providers who are positioning themselves to complement the current TV ad buying process, Adap.tv is looking to blow up the traditional approach, replacing it with what CEO/founder Amir Ashkenazi's calls a "programmatic" technology-based alternative. Last week I caught up with Amir to learn more about Adap.tv's mission, and also how it landed as the number 2 video ad provider (just behind Hulu) in comScore's December, '11 ranking, with over 1.1 billion ads served.

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Video stream optimization and analytics provider Conviva has raised a $15 million Series D round, led by Time Warner Investments. With the financing, Conviva has raised $59 million to date. The new funding is earmarked for international expansion and headcount growth.

Conviva's client-side software takes the "pulse" of video streams, and depending on problems detected, will preemptively modify the stream's bit rate and its source, switching CDNs on the fly. The result is a much-improved user experience.  Content providers are able to use the Conviva dashboard to analyze delivery, playback and of their video, along with viewer engagement.  Conviva optimizes streams for Time Warner divisions HBO and Turner Broadcasting, among other customers including ESPN, Netflix, Fox, NBCU and others. In total, Conviva is optimizing over 1 billion streams per month.

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Some start-ups go to great lengths for visibility before ever launching a product or landing a customer, whereas others stay completely below the radar until they have big concrete news to share. Squarely in the latter category is eyeIO (never mind the awkward name) an "ultra-low-bandwidth" encoding technology provider that has a bare bones web site, but does have a very high-profile first customer in Netflix. Yesterday, Rodolfo Vargas, eyeIO's CEO and co-founder and Charles Steinberg, another co-founder updated me, though they are still playing things pretty close to the vest.

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