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VideoNuze Analysis

  • Data is Core to Merger Between Genesis Media and Altitude Digital

    Two video ad tech providers, Genesis Media and Altitude Digital, announced they have merged in a deal that is rooted in using data to optimize video publishers’ ad inventory. The new company combines Genesis Media’s technology to analyze publishers’ content, ads and audience with Altitude’s video supply side platform. The merged company will be called Genesis Media and be led by CEO Mark Yakanich, with Altitude’s Joe Grover becoming president and chief marketing officer.

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  • Facebook’s March Into Video Begins Now

    Last night Facebook announced “Watch,” as its primary video initiative. Watch is an update of Facebook’s Video Tab, which was originally introduced in April, 2016, but with a greater emphasis on professional video. Facebook positioned Watch as “a platform for all creators and publishers to find an audience, build a community of passionate fans and earn money for their work.” Watch will roll out to a limited number of users in the U.S. initially with a broader update coming soon.

    Watch is entirely ad-supported, with partners keeping 55% of revenue and Facebook keeping 45%. Facebook is working with partners on a number of short-form shows that it characterized as falling into one of four buckets: shows that engage fans and community, live shows that connect directly with fans, shows that follow a narrative arc or have a consistent theme and live events that bring communities together (here's an initial list). As has been widely reported, Facebook is funding some of the shows itself.

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  • Disney Blew A Big Strategic Opportunity By Licensing to Netflix in 2012

    By now we’re all familiar with the 3 big announcements Disney made yesterday: 1) a plan to launch its own entertainment-focused SVOD service, in turn sunsetting in 2019 its Netflix licensing deal for Disney/Pixar content, 2) a plan to launch an ESPN OTT service and 3) spending $1.58 billion to buy another 42% of BAMTech and take control of that business.

    Focusing on Disney’s entertainment SVOD service it looks pretty clear now that by signing the original December, 2012 licensing deal with Netflix, Disney blew a big strategic opportunity to get in front of the trend toward direct-to-consumer online distribution.

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  • Perspective What's this? The Marketer’s Programmatic Video Roadmap

    Digital video is quickly becoming the new hero of the ad world, thanks to its combination of the power of TV and the targetability of digital.

    But in a fragmented media environment, with consumers viewing content across multiple screens, executing video buys can be a complicated undertaking. For maximum effectiveness, audiences need to be targeted and pieced together from a number of sources. Hence, digital video requires multiple buying styles, unlike the relative ease of buying a TV timeslot.

    Programmatic approaches can help manage these complexities. Savvy marketers are making it their business to not only understand programmatic principles, but to flip traditional planning and buying methods, by partnering with the major supply sources to effectively plan for the best outcomes and ensure brand safety.

    If you’re confused on best practice for planning video across screens, here are five tips to help navigate the minefield.

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  • FX Launches FX+ With Comcast; Is An SVOD A La Carte World Coming Into View?

    This morning, FX and Comcast announced FX+, an ad-free subscription video on demand service available to Xfinity TV subscribers for $5.99 per month. FX+ is quite comprehensive, including full current seasons of 17 different FX shows (e.g. “The Americans,” “Atlanta,” “Taboo,” etc.) along with library seasons of 16 current and prior shows (e.g. “The Shield,” “The League,” “Nip/Tuck,” etc.). In all, there will be over 1,100 episodes of FX programming available to subscribers.

    FX+ follows the recent announcement of AMC Premiere by AMC and Comcast, which is another ad-free SVOD service, available for $4.99 per month. However, AMC Premiere doesn’t include AMC’s deep library of popular programs, highlighted by “The Walking Dead,” “Breaking Bad” and “Mad Men,” while also including some original digital content. AMC Premiere’s shallow content selection suggests its success will be modest.

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  • VideoNuze Podcast #382: Digging Into CBS All Access and Star Trek Premiere

    I’m pleased to present the 382nd edition of the VideoNuze podcast with my weekly partner Colin Dixon of nScreenMedia.

    It’s been a little while since Colin and I last discussed CBS All Access, which now has approximately 1.5 million subscribers. But with the launch of “Star Trek: Discovery” coming on September 24th (first episode on-air, then exclusively on All Access), the timing is good to dig into its place in the market and the role of originals.

    Interestingly, Colin and I have differing views on almost everything related to CBS All Access; he sees their progress to date as modest (whereas I’m more impressed), but he thinks Star Trek alone could boost subscribers all the way to the 4 million point, which is the 2020 goal (whereas I’m much more cautious), and he sees All Access as threatening to CBS’s local affiliates (whereas I think they’ve largely been brought under the tent).

    Most of all, Colin believes Star Trek is a relatively risky move by the company, while I see it as taking a page from a playbook well-established by Netflix and others who have used originals to methodically build their businesses.

    Listen in to learn more!
     
    Click here to listen to the podcast (23 minutes, 23 seconds)
     


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  • Food Network is Battling BuzzFeed’s Tasty in Competitive Social Video Space

    When Discovery announced that it was acquiring Scripps Networks Interactive earlier this week for $14.6 billion, a lot of the coverage naturally focused on how the combined companies will have more leverage in their pay-TV carriage negotiations and also how significant cost-savings and synergies will result.

    While all of that is true, the inescapable reality is that because pay-TV subscriptions as a whole are shrinking, Discovery’s best case scenario is that it can get a larger piece of a smaller pie. A far more interesting angle, to me at least, is how the company can accelerate its online and social video initiatives. A prime place to start would be by looking at the success that Scripps’ Food Network is having in 2017, as it as slightly surpassed BuzzFeed’s well-publicized Tasty, in the hotly competitive social video food space.

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  • FreeWheel: OTT Devices Are Ascendant, But Challenges Remain

    FreeWheel has released a new report titled “The Power of OTT: Audiences and Engagement,” which highlights data on OTT devices’ (which I’ve typically called connected TVs) soaring popularity, but also acknowledges ongoing challenges. The report is part of new semi-annual research series from FreeWheel called Signature Insights, which incorporates research from its own Video Monetization Report (VMR), as well as 3rd party sources such as Nielsen, eMarketer, Hulu and Millward Brown.

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